CHZA1

Blog über Carl Huter´s Original-Menschenkenntnis & Kallsiophie, nichtakademisch, im aktuellen Kontext.

Samstag, 6. Mai 2017

BEAUTY / SCHÖNHEIT. (HELIODA1)









A path of sighs through the emotions of life.
A tribute to the art and her disarming beauty.

B E A U T Y is a short story of the most important emotions of life, from birth to death, love and sexuality through pain and fear. 
It is a tribute to art, to life and their disarming beauty. 


Directed by RINO STEFANO TAGLIAFIERRO
mail@rinostefanotagliafierro.com

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The copyright proprietor has licensed the video BEAUTY (including, without limitation, its soundtrack) for private use only.
Unless otherwise expressly licensed by the copyright proprietor, all other rights are reserved.
Use in other locations such as airlines, clubs, coaches, hospitals, hotels, oil rigs, prisons, schools and ships is prohibited unless expressly authorized by the copyright proprietor. Any unauthorized copying, editing, exhibition, renting hiring, exchanging, lending, public performances, diffusion and or broadcast, in whole or in part, is strictly prohibited. Any such action establishes liability for a civil action and may give rise to criminal prosecution.
All rights of the producer and of the owner of the work reproduced reserved.
Unauthorized copying, hiring, renting, lending, public performance, radio or TV broadcasting or web use of this material is strictly prohibited.





L’enigma della Bellezza

«Devouring Time, blunt thou the lion’s paws,
And make the earth devour her own sweet brood;Pluck the keen teeth from the fierce tiger’s jaws,And burn the long-lived phoenix in her blood;»
(W. Shakespeare, Sonnet no. 19)

Sulla bellezza da sempre aleggiano le nubi del destino e del tempo divoratore. La bellezza è cantata, raffigurata e descritta fin dall’antichità come l’attimo fuggente della felicità e della pienezza della vita inesauribile, fin dall’inizio destinata ad un epilogo tragico e salvifico.
In questa interpretazione di Rino Stefano Tagliafierro la bellezza è riportata alla forza espressiva di un gesto che egli scaturisce dall’immobilità del quadro, animando un sentimento sottraendolo alla fissità museale. Come se in quelle immagini che la storia dell’arte ci ha consegnato fosse congelato un movimento che l’oggi può rivitalizzare grazie al fuoco dell’inventiva digitale.
Una serie ben congegnata di immagini della più bella tradizione pittorica (dal rinascimento al simbolismo di fine ottocento, passando per il manierismo, il paesaggismo, il romanticismo e il neoclassicismo) sono accostate secondo un’intenzione che rintraccia il sentimento sotto il velo delle apparenze. Un’ispirazione che ci restituisce il senso di una caducità e della brevità esistenziale che l’autore interpreta con la dignità tragica di uno sguardo disincantato, capace di cogliere il senso profondo di un’immagine. 
La bellezza in questa interpretazione è la compagna silenziosa della vita che inesorabilmente procede dal sorriso del bambino, attraverso l’estasi erotica, verso la smorfia di dolore che chiude un ciclo destinato a ripetersi all’infinito.
Significativi, da questo punto di vista, sono l’incipit di un’alba romantica nel cui cielo volano grossi uccelli neri e il finale del tramonto romantico con rovine gotiche che compie l’opera del tempo che fugge. 

Giuliano Corti

 

 

The Enigma of Beauty

«Devouring Time, blunt thou the lion’s paws,
And make the earth devour her own sweet brood;
Pluck the keen teeth from the fierce tiger’s jaws,
And burn the long-lived phoenix in her blood;»
(W. Shakespeare, Sonnet no. 19)

Over Beauty, there has always hung the cloud of destiny and all-devouring time.
Beauty has been invoked, re-figured and described since antiquity as a fleeting moment of happiness and the inexhaustible fullness of life, doomed from the start to a redemptive yet tragic end.
In this interpretation by Rino Stefano Tagliafierro, this beauty is brought back to the expressive force of gestures that he springs from the immobility of canvas, animating a sentiment lost to the fixedness masterpieces.
Its as though these images which the history of art has consigned to us as frozen movement can today come back to life thanks to the fire of digital invention.
A series of well selected images from the tradition of pictorial beauty are appropriated, (from the renaissance to the symbolism of the late 1800s, through Mannerism, Pastoralism, Romanticism and Neo-classicism) with the intention of retracing the sentiment beneath the veil of appearance.
An inspiration that returns to us the sense of one fallen, and the existential brevity that the author interprets as tragic dignity, with an unenchanted eye able to capture the profoundest sense of the image.
Beauty in this interpretation is the silent companion of Life , inexorably leading from the smile of the baby, through erotic ecstasies to the grimaces of pain that close a cycle destined to repeat ad infinitum.
They are, from the inception of a romantic sunrise in which big black birds fly to the final sunset beyond gothic ruins that complete the piece, a work of fleeting time.

Giuliano Corti
(english translation: Thomas McEvoy)





IN ORDER OF APPEARANCE 
(click the name of painting to view the gif)

Asher Brown Durand - The Catskill Valley

Thomas Hill - Emerald Bay, Lake Tahoe

Albert Bierstadt - Among the Sierra Nevada Mountains

Ivan Shishkin - Forest edge

James Sant - Frau und Tochter

William Adolphe Bouguereau - L'Innocence

William Adolphe Bouguereau - Song of the Angels

Ivan Shishkin - Bach im Birkenwald

William Adolphe Bouguereau - Le Baiser

William Adolphe Bouguereau - Nature's Fan- Girl with a Child 

William Adolphe Bouguereau - The Motherland

Ivan Shishkin - Morning in a Pine Forest

William Adolphe Bouguereau - The Nut Gatherers

William Adolphe Bouguereau - Two Sisters

William Adolphe Bouguereau - Not too Much to Carry

Thomas Cole - The Course of Empire: Desolation

Martinus Rørbye - Entrance to an Inn in the Praestegarden at Hillested

William Adolphe Bouguereau - Sewing

William Adolphe Bouguereau - The Difficult Lesson

William Adolphe Bouguereau - The Curtsey

William Adolphe Bouguereau - Little Girl with a Bouquet 

Claude Lorrain - Pastoral Landscape

William Adolphe Bouguereau - Cupidon

William Adolphe Bouguereau - Admiration

William Adolphe Bouguereau - A Young Girl Defending Herself Against Eros 

William Adolphe Bouguereau - Dawn

William Adolphe Bouguereau - L'Amour et Psych

William Adolphe Bouguereau - Spring Breeze

William Adolphe Bouguereau - The Invation 

William Adolphe Bouguereau - Nymphs and Satyr

William Adolphe Bouguereau - The Youth of Bacchus 

William Adolphe Bouguereau - The Birth of Venus

William Adolphe Bouguereau - The Nymphaeum

Gioacchino Pagliei - Le Naiadi 

Luis Ricardo Falero - Faust's Dream

Luis Ricardo Falero - Reclining Nude

Jules Joseph Lefebvre - La Cigale

John William Godward - Tarot of Delphi

Jan van Huysum - Bouquet of Flowers in an Urn

Adrien Henri Tanoux - Salammbo

Guillaume Seignac - Reclining Nude

Tiziano - Venere di Urbino

Louis Jean François Lagrenée - Amor and Psyche

Correggio - Giove e Io

François Gérard - Psyché et l'Amour

John William Godward - Contemplation

John William Godward - Far Away Thought

John William Godward - An Auburn Beauty

William Adolphe Bouguereau - Flora And Zephy

Louis Jean François Lagrenée - Mars and Venus, Allegory of Peace

Fritz Zuber-Bühle - A Reclining Beauty

Paul Peel - The Rest

Guillaume Seignac - L'Abandon

Victor Karlovich Shtemberg - Nu à la peau de bete

Pierre Auguste Cot - Portrait Of Young Woman

Ivan Shishkin - Mast Tree Grove

Ivan Shishkin - Rain in an oak forest

William Adolphe Bouguereau - Biblis

William Adolphe Bouguereau - Elegy

Marcus Stone - Loves Daydream End

William Adolphe Bouguereau - Head Of A Young Girl 

Hugues Merle - Mary Magdalene in the Cave

Andrea Vaccaro - Sant'Agata

Jacques-Luois David - Accademia (o Patroclo)

Michelangelo Merisi da Caravaggio - San Giovanni Battista

Roberto Ferri - In Nomine Deus

Michelangelo Merisi da Caravaggio - Cristo alla colonna

Michelangelo Merisi da Caravaggio - Incoronazione di spine

Paul Delaroche - L'Exécution de lady Jane Grey en la tour de Londres, l'an 1554

Michelangelo Merisi da Caravaggio - Decollazione di San Giovanni Battista

Michelangelo Merisi da Caravaggio - Sacrificio di Isacco

Guido Reni - Davide e Golia

Michelangelo Merisi da Caravaggio - Giuditta e Oloferne

Michelangelo Merisi da Caravaggio - Davide e Golia

Michelangelo Merisi da Caravaggio - Salomè con la testa del Battista

Michelangelo Merisi da Caravaggio - Davide con la testa di Golia

Jakub Schikaneder - All Soul's Day

Michelangelo Merisi da Caravaggio - San Gerolamo scrivente

Guido Reni - San Gerolamo

Pieter Claesz - Vanitas

Gabriel von Max - The Ecstatic Virgin Anna Katharina Emmerich

William Adolphe Bouguereau - Portrait of Miss Elizabeth Gardner

Jan Lievens - A young girl

Johannes Vermeer - Portrait of a Young Girl

Luis Ricardo Falero - Moonlit Beauties

Joseph Rebell - Burrasca al chiaro di luna nel golfo di Napoli 

Luis Ricardo Falero - Witches going to their Sabbath

William Adolphe Bouguereau - Dante And Virgil In Hell 

Théodore Géricault - Cheval arabe gris-blanc

Peter Paul Rubens - Satiro

Felice Boselli - Skinned Head of a Young Bull

Gabriel Cornelius von Max - Monkeys as Judges of Art

Michelangelo Merisi da Caravaggio - Medusa

Luca Giordano - San Michele

Théodore Géricault - Study of Feet and Hands

Peter Paul Rubens - Saturn Devouring His Son

Ilya Repin - Ivan il Terribile e suo figlio Ivan

Franz von Stuck - Lucifero Moderno

Gustave Doré - Enigma

Arnold Böcklin - Die Toteninsel (III)

Sophie Gengembre Anderson - Elaine

John Everett Millais - Ophelia

Paul Delaroche - Jeune Martyre

Herbert Draper - The Lament for Icarus

Martin Johnson Heade - Twilight on the St. Johns River

Gabriel Cornelius von Max - Der Anatom

Enrique Simonet - Anatomía del corazón

Thomas Eakins - Portrait of Dr. Samuel D. Gross (The Gross Clinic)

Rembrandt - Lezione di anatomia del dottor Tulp

Peter Paul Rubens - Die Beweinung Christi

Paul Hippolyte Delaroche - Die Frau des Künstlers Louise Vernet auf ihrem Totenbett

William Adolphe Bouguereau - El primer duelo

Elizabeth Jane Gardner Bouguereau - Too Imprudent

William-Adolphe Bouguereau - The Prayer 

Michelangelo Merisi da Caravaggio - Amorino dormiente

Augustin Théodule Ribot - St. Vincent (of Saragossa)

Caspar David Friedrich - Abtei im eichwald




DIRECTOR
RINO STEFANO TAGLIAFIERRO

ASSISTANT DIRECTOR
LAILA SONSINO

2ND ASSISTANT DIRECTOR
CARLOTTA BALESTRIERI

EDITING - COMPOSITING - ANIMATION
RINO STEFANO TAGLIAFIERRO

MUSIC & SOUND DESIGN
ENRICO ASCOLI

ART DIRECTION
RINO STEFANO TAGLIAFIERRO

HISTORIOGRAPHER
GIULIANO CORTI

TIME
09'49"

YEAR
2014

THANKS
MA&PA, ANNA, RAFFAELLA, CORRADO,
VINICIO BORDIN, PAOLO RANIERI, KARMACHINA,
ALBERTO MODIGNANI, AUGUSTA DESIRE GRECCHI,
PAOLO BAZZANI, THOMAS MCEVOY

DISTRIBUTOR / SALES AGENT
AUTOUR DE MINUIT




RINO STEFANO TAGLIAFIERRO


Born in 1980.
Director, art director and video artist. Over the years he has had experience as art director, visual-artist, graphic designer, animator and 2D compositor video to realize video art, commercials, short films, fashion-video, videomapping, video projections and interactive installations for exhibitions, museums and special events.

He has realized videos for important brands, among them are Coke, Samsung, Louis Vuitton, Kenzo, Antonio Marras, Bvlgari, BMW, Lancia, Pirelli, MTV USA and Davines. In 2015 with the ADV "Untouched" for Coke won the Gold Award at the LIA AWARDS 2015 in London and the CLIO Award at NY-CLIO Festival. He also created music videos for major Italian and international artists as Four Tet, Stumbleine, Digitalism, M+A, ORAX, Anil Sebastian, About Wayne and Optogram. He has collaborated with several studios, professionals and in movies project such as "A Rose Reborn" by Park Chan-wook and "David Lynch - The Art Life" by Jon Nguyen. 

In 2013 he cofounded the studio KARMACHINA, producing, among other works, the video installation for the opening ceremony of the Yerevan Golden Apricot Film Festival 2014 and the art direction of the Tree of Life evening show at Expo 2015.

As an author he has taken part in several contemporary art exhibitions in Milan, New York, Paris, Sapporo, Moscow, Berlin, receiving international awards in many animation, shortfilm and experiamental festivals, including Short Film Corner Cannes, Festival d’Annecy, Clermont-Ferrand Short Festival, Rooftop Film New York City, Sapporo Short Fest e Milano Film Festival.
In 2014 he published the short film BEAUTY, obtaining great outcome and recognition wordlwide and gaining the approval of major national and international newspapers and specialized magazines, such as Le Monde, Le Parisien, Le Figaro, Wall Street International, Bild, The Guardian, France2, Wired, The Telegraph , Artribune, Daily Mail, Sky, La Stampa and La Repubblica.
In 2016 he published PEEP SHOW, a private journey in the world of eroticism in which art is the object of desire. 

http://www.rinostefanotagliafierro.com/










The term Peep Show 

comes from Peeping Tom, the sneaky Coventry tailor who, disobeying the proclamation of the count, made a hole in the shutters to see Lady Godiva riding naked through the streets of the city; he was so impressed that he was struck blind.


The Peep Show, also known as a peep show box or raree (rarity show), can be traced back as early as the 15th century in Europe with Leon Battista Alberti. Another example, known as the perspective box, can be found in the 17th century so-called "Dutch Golden Age painting" where, through the manipulation of perspective, was created an illusion of three-dimensionality usually within a room.

But the most well-known form of Peep Show, born from the need to satisfy their tastes with the sense of sight, was mobile. The spectator, through one or more spyholes, could look into a wooden box, inside which followed each of the images that were driven by the travellers. 

A Pekingese Peep Show
The interior of the boxes, to simulate the theatrical scenes, was richly decorated. While the images passed before the viewer's eyes, some actors recited to the rest of the curious public what was happening in the mysterious box.

The Chinese Peep Show, which caught on in the 19th century, was known as yang P'ien ("pulling foreign picture cards"). In respect to the classic Peep Show, it foresaw that the general public was entertained with puppet shows or images of the strange, the exotic and the out-of-the-ordinary.



Engraving - Oh Raree Show - 1711

In Ottoman Syria there existed a form of Peep Show called Sanduk al-ajayib ( "wonder box") that the walking was carrying on his back. In this case, on the box were six holes through which viewers could observe backlit scenes illuminated by a central candle.
These boxes generally showed contemporary stories or scenes of paradise and the invalid.

Other common subjects of Peep Show worldwide, presented animals, far-off landscapes, classical theater scenes, masks, ceremonies or court festivals, figures in transformation such as from anges to devils, and-of course- pictures of indecent scenes.

Publicity photograph of man using Edison Kinetophone, 1895 Erotic Peep Show with girl, 1954





In 1894 the first machines that reproduced slides of naked women's movement were built. A few years later, during the early years of '900, even Thomas Alva Edison, the inventor of the light bulb, made some movies depicting erotic situations in common contexts. 

Mutoscope eva - early peepshow machines from late1800s-early 1900sOld Fashioned Peep Show

Subsequently, starting from this idea, in 1972 in New York the first live Peep Shows opened. Unlike the classic striptease, the viewer could see women in dishabille through windows. Though less common, the Peep Show still came to be used inside certain establishments. The female performer, placed in the center of a circular stage around which were arranged the private cabins, strips and often has sexual relations with another artist. The viewer enters the money in the machine and the window is opened for a predetermined time. The time of a dream.



Director
RINO STEFANO TAGLIAFIERRO

Sound
ENRICO ASCOLI


ART PAINTINGS USED IN THE TRAILER 

Eugene de Blaas - Curiosity - 1892 (Private Collection)
Eugene de Blaas - The Eavesdropper - 1906
Johann Georg Meyer von Bremen - Girl Listening at the Door - 1866
Peter Fendi - Sneaking a Peek - 1834
Hans Zatzka - Through the keyhole
Jean Carolus - Peeping Tom - 1860 (Private Collection)
Hans Zatzka - Through the keyhole
Vittorio Reggianini - Eavesdropping - 19th century (Private Collection)




ART PAINTINGS BY ARTIST




PEEP SHOW is a private journey into the world of eroticism.

The viewer, as if spying through the keyhole, witnesses a personal show in which art is the object of desire. The most beautiful erotic icons of the classical period wink and show themselves off in an atmosphere charged with sexual tension; triumphing, through their eternal power, in the transformation of that voyeurism into sublime act.




Peek in the following thematic research on my Pinterest page:

peep show through the keyhole 


peep show erotic art paintings 



peep show mutoscope peep show machine 















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